Kim Van Kieu: Vietnamese Epic

Kim Van Kieu is one of those stories that is so famous that The Lonely Planet Guidebook will advise enterprising tourists to read it if they really want to move beyond the superficial world of noodles stalls, trinkets and bar-hopping. Supposedly, its influence is so immense that even illiterate peasants, working the emerald rice paddies, will recite a few lines, as they bend their backs in the kind of primordial labor that also makes great postcards.

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Through this literary endeavor, any budget traveler can truly begin to understand the Vietnamese people.  But don’t just listen to me or The Lonely Planet; I’ve had this point corroborated on the good authority of several drunken German tourists at that delightful watering hole in Saigon—Apocalypse Now—who swear by its merits as a touchstone of culture:  “Kim Van Kieu is a part of your literary DNA.”  Short of dating a local girl, reading a bootlegged photocopy book of the story of Kieu is the best way to distinguish yourself from the crowd at the youth hostel.

Kim Van Kieu is a narrative poem that serves as an allegory of resistance.  Put in layman’s terms: the poem tells a story and we can read from the story how it is trying to tell, quite indirectly, another story.  The other story is about a beset Vietnam as it has attempted to resist a thousand years of invasion.

The backdrop of the story is the imprisonment of Kieu’s brother and father.  In order to save them, she marries herself off to a rich man who tricks her, turning her into a prostitute.  Her virtuous self-sacrifice is paradoxical, for she becomes that which is diametrically opposed to the very essence of virtue.  She becomes a whore.

The story can be read as a tale of the individual caught up within the machinations of the state, compelled to make sacrifices under unusual circumstances for the cause of nationalism.  The heroine Kieu is the archetypal Vietnamese, forced into terribly unnatural acts out of desperation.  The father and brother are the patriarchal authority, thwarted by injustice.  The middle-aged man can be any of a series of imperial powers–China, France, Japan and the United States—who have interfered with a nubile young country’s natural development.

Vietnamese people appreciate the pathos of this type of irony, even if they do not tolerate it in real life.  Prostitution is a growth industry in my old homeland and the statistics are staggering.   In my various visits to Vietnam during two years of traveling, I often saw the young sex workers come out at night and stand, backlit, at the doorways as pimps piss-pissed their wonders and virtues.  Girls of this kind could usually be found lurking somewhere near that bar Apocalypse Now, which is a hotspot for tourists who seek a certain kind of adventure.

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I often wonder how many young girls, sold into prostitution in Vietnam are choosing to do so for heroic reasons.  I often wonder how many people actually think that what they are doing is patriotic and self-sacrificing—that it might serve a greater cause that will shake the very fabric of Vietnamese civilization to its core. But it doesn’t seem like an appropriate question to ask.

One night, I got drunk on Tiger Beer at Apocalypse Now and then wandered around the tourist quarter, looking for people to buttonhole.  I asked this forbidden question to a nice, middle-aged man at a coffee shop.  Set before him on an aluminum tray was a tall glass of ice coffee, an ashtray, a pack of Jet cigarettes and the daily newspaper.  He was dressed in that classic Vietnamese style that always makes me feel immediately at ease:  white button-down shirt, high-water black slacks and plastic flip flops.  His hair, severely side-parted and blackly impeccable, glinted against the luminescence of the naked bulbs strung like gargantuan Christmas lights on steroids.  He told me two things that immediately made me feel better.  “Kim Van Kieu, she’s not a real person.”  The other thing:  “Those girls, most of them we get from Laos.”  I guess I should have been relieved that the bulk of our prostitutes are not really of consequence because they come from across the border.  Perhaps I was.

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It took me several days to get a dawning sense of the true injustice that lay behind this new knowledge.  For what of the predicament of the many Western sex tourists who had been assiduously plugging away at Kim Van Kieu and waiting for the moment when they could graduate to a real Vietnamese?  Did they know they were getting the switcher-oo?  All that work, all that intellectual development, all laid waste. The injustice of that was terrible.

5 thoughts on “Kim Van Kieu: Vietnamese Epic

  1. Khanh – Now you’ve gotten me quite interested in this poem. I really need to read it I think. And about the sex trade? I’ve learned that there’s a sad increase in it in several Asian countries. What makes me feel so bad about it is that so many of the ‘traders’ are young girls and boys who are not in a position to decide for themselves whether and with whom they will have sex. Certainly their safety is not considered. And it upsets me that so many people allow this to happen by making it a lucrative business.

    • Kim Van Kieu is most definitely worth a read, Margot. And now there are several good translations. In regard to the training of prostitutes, it is clear that girls and young boys are so often inducted into the life by those close to them. Nowadays, researchers into prostitution see a deep connection between it and slavery.

  2. Khanh … Yes, indeed those girls came from Laos. The Vietnamese ones – from Dong Thap – already came to Singapore.

    Here’s a snippet of a conversation I had with my curtain maker last week:

    “So, your husband is Thai?” Jimmy asks me, after he’s done with his measurements.
    “Ur no, he’s Vietnamese actually.”
    “Vietnamese. Hah! There’re a lot of Vietnamese near my shop.”
    He winks, then takes a long slurp from the cup of milky tea Ana’s put in front of him.
    “Tong xiang,” he says, meaning dong que, from the same village.
    “Doesn’t mean he needs to get to know them,” I mutter.
    “Well, they’re just trying to make a living.”
    I nod, conceding the point. It’s the right thing to do, to live and let live. But not with my husband, dammit, you oily pig, I think but don’t say.
    “Is your tea too hot?” I ask instead.
    “Just perfect,” he replies. He empties the rest of the cup in a big bottoms-up swig. Wiping the drips off his moustache with the cuff of his shirt, he swivels his eyes at Ana. “You’ve a good maid there,” he whispers, then licks his lips.

    Aaaargh — I almost tore up the contract. But actually, I just ushered him out the door and reminded him “10 days okay?”

    • Audrey–what a disturbing conversation on so many levels. I think that the strangest thing about being in Asia and being a tourist is that prostitution is so much directed at you. You’re the ideal customer. And quite often it is one of the first things you are offered. By a taxi driver. By a stranger who wants to make your acquaintance.

      • It says a lot about the curtain man, about me and my reticence and attitude to “my man” .and about how we have home helpers … yes, it’s a very telling and disturbing conversation isn’t it?
        I should probably make it into a short story.

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